Rachel Aviv on Alice Munro’s Family Secrets
The New Yorker Radio HourMunro kept quiet about the sexual abuse of her daughter by her partner—but wrote about the family trauma in fiction.Listen and subscribe: Apple | Spotify | Google | Wherever You ListenSign up for our daily newsletter to get the best of The New Yorker in your in-box.Rachel Aviv reports on the terrible conundrum of Alice Munro for The New Yorker. Munro was a winner of the Nobel Prize in Literature and perhaps the most acclaimed writer of short stories of our time, but her legacy darkened after her death when her youngest daughter, Andrea Skinner, revealed that Munro’s partner had sexually abused her beginning when she was nine years old. The crime was known in the family, but, even after a criminal conviction of Gerald Fremlin, Munro stood by him, at the expense of her relationship with Skinner. In her piece, Aviv explores how, and why, a writer of such astonishing powers of empathy could betray her own child, and discusses the ways that Munro touched on this family trauma in fiction. “Her writing makes you think about art at what expense,” she tells David Remnick. “That’s probably a question that is relevant for many artists, but Alice Munro makes it visible on the page. It felt so literal—like trading your daughter for art.”New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts.The New Yorker Radio Hour is a co-production of WNYC Studios and The New Yorker.
Listen and subscribe: Apple | Spotify | Google | Wherever You Listen
Sign up for our daily newsletter to get the best of The New Yorker in your in-box.
Rachel Aviv reports on the terrible conundrum of Alice Munro for The New Yorker. Munro was a winner of the Nobel Prize in Literature and perhaps the most acclaimed writer of short stories of our time, but her legacy darkened after her death when her youngest daughter, Andrea Skinner, revealed that Munro’s partner had sexually abused her beginning when she was nine years old. The crime was known in the family, but, even after a criminal conviction of Gerald Fremlin, Munro stood by him, at the expense of her relationship with Skinner. In her piece, Aviv explores how, and why, a writer of such astonishing powers of empathy could betray her own child, and discusses the ways that Munro touched on this family trauma in fiction. “Her writing makes you think about art at what expense,” she tells David Remnick. “That’s probably a question that is relevant for many artists, but Alice Munro makes it visible on the page. It felt so literal—like trading your daughter for art.”
New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts.
The New Yorker Radio Hour is a co-production of WNYC Studios and The New Yorker.
